Current President, Society of Graphic Fine Art (the drawing society)
What led you to start painting:
I have been painting and drawing all my adult life, exhibiting seriously in the ‘70’s when in my twenties.
Do you have a preference for painting style? If so, can you describe it?
I have a very open mind with regards to what I am attracted to, and with regards to my own practice, I have always been drawn to creating minimalistic contemporary work – strong composition, colour and space.
Describe your perfect weekend
Taking a gentle walk with sketchbook – drawing whatever presents itself, plus rummaging in antique stores or charity shops for bargain props for my still life paintings.
The best thing ever invented was:
In my mind the ‘travelling squirrel head brush’
A person who changed my life is:
In real time it has to be my husband, retired Industrial Photographer, Barry Devereux – we have travelled the world together, recording everything that moved (or not!), exhibited together and ‘laughed out loud’………what more could one wish!
With reference to other artists it would have to be J.M.W.Turner from the past, but an artist sadly now deceased, is Amelia Shaw-Hastings. Amelia and I travelled to the States in the early ‘80’s, exhibited together, laughed and drew together. Her keen eye and swift, eloquent drawing skills were a constant inspiration.
If you could give your teenage self one piece of advice, what would it be?
Always keep an eye on the horizon!
My favourite place to paint is (and why):
I love to paint alone in my studio – working from sketchbooks compiled over the years, I can transport myself anywhere I wish. What is more, I can create a world unique to me.
Is there somewhere on your wish list of places to go and paint? If so, where and why
I should like to explore the wild parts of Canada preferably by train.
I have grown to love wide open spaces – taking in the dead centre of Australia, to Antarctica – stark contrasts.
Artists who inspire you:
Cezanne and Turner from the past, as well as Hockney for his masterly line!
Your favourite colour to paint with?
Pthalo blue (green shade)
Best piece of advice you were ever given about art
Composition, composition, composition…….oh, and negative space awareness!
Seeing the work of Paul Cezanne when at school visiting the Fitzwilliam in Cambridge.
Do you have a preference for painting style? If so, can you describe it?
Free association watercolour painting
Describe your perfect weekend
Playing Jazz and Painting
If you could give your teenage self one piece of advice, what would it be?
Look for your own politics
My favourite place to paint is (and why)?
A surface such as a table rather than an easel – The easel I associate with classical art. I paint on the surfaced that will help me free up painting from gravity.
Artists who inspire you
Frank Bowling, Jeremy Moon, Bridget Riley
The gallery I would always travel to visit is
The Serpentine
Your favourite colour to paint with?
Grey (made without black or white)
Best piece of advice you were ever given about art
We held our most successful exhibition ever at Wells Maltings in Norfolk in February. Late in November, we got the opportunity to stage a Festival of Watercolour at this prestigious gallery. Despite many reasons to shy away from this challenge: (lack of lead time, winter exhibition, travel distance, Christmas!), the committee of the SEAW decide to take a leap of faith. We put the opportunity to our members and launched an open call in order to be able to hang watercolours from other excellent artists in the region.
Visitors’ Favourite: Looking out to Sea by Anthony Mashman
The response was exceptional. 128 paintings were hung on the walls of the beautiful Handa Gallery with a further 84 in the browsers. Forty-four watercolourists of East Anglia celebrated their appreciation of the medium through their works on show.
As usual, we invited visitors to vote for their favourite painting. 937 votes were received over the course of the exhibition and the visitors’ favourite was Looking Out to Sea by Anthony Mashman. In second and third positions respectively were Behind the Eyes by Stephie Butler and Votes ‘Four’ Women by Mel Collins.
The winning card was completed by Viv Henderson.
Visitors to the Private Viewing of Awash: A Festival of WatercolourGood conversations between members and supporters at the Private Viewing of Awash: A Festival of Watercolour
A Festival of Watercolour for everyone
In addition to providing a show of some of the best watercolours in the region, we wanted to give visitors the chance to take an active role. The members of the SEAW tutored a series of workshops for artists of all levels of experience. Watercolour taster sessions allowed those who were interested in having a go at painting in the medium to come along and try their hand. We decided to stage these inside the gallery rather than in a separate room. This allowed visitors to witness the process of creating watercolours before they reach the walls.
The taster sessions and full day workshops proved highly popular. We are grateful for the support of our workshop sponsors, St Cuthbert’s Mill.
What made this our most successful exhibition?
Naturally this is a subjective judgement. In my view it is the fact that over 2800 people enjoyed the exhibition. Many people made a point of coming back to a second visit. A high proportion of visitors took the time to tell us how much they appreciated the standard of work on the walls. There were great conversations. There were requests for information about becoming a member, and there were a good number of red dots on the walls.
The Society of East Anglian Watercolourists was given a warm welcome by Wells Maltings and the people of the Wells-next-the-Sea area. SEAW members were enthusiastic about the experience of stewarding and chatting to visitors.
Next year we will be staging Awash2: A Festival of Watercolour. Sign up for our news if you want to stay in touch.
In the meantime, why not visit our Members’ Exhibition at Long Melford, open to the public from 18th to 28th April.
Gainsborough’s House Printmakers, SAA (Professional Associate)
What led you to start painting?
I always drew as a child and always wanted to be an artist. People told me it wasn’t possible so I gave it up after leaving school. At the age of 34 I decided I still wanted to be an artist so started again.
Do you have a preference for painting style?
If so, can you describe it? My style is precise but not exactly realistic. Stylised would be a good description, I didn’t choose it, it chose me.
Describe your perfect weekend
Spending time with my daughter, martial arts training, horror or sci fi movie and a dinner at a vegan restaurant
The best thing ever invented was:
The dishwasher!
My favourite game as a child was:
I didn’t like games and still don’t. I liked drawing pictures, roller skating and reading.
If you could give your teenage self one piece of advice, what would it be?
You can do more than the people around you say you can do.
My favourite place to paint is (and why):
My studio in the summer. It’s light and warm.
Your favourite colour to paint with?
Talens Rembrandt Cerulean Blue. Other brands just aren’t the same and I adore this delicate granulating blue.
Best piece of advice you were ever given about art
I would take the quote by Steve Martin ‘Be so good they can’t ignore you’
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