Presenting paintings for exhibition
The same level of care should go into framing as went into the painting itself. We take pride in presenting an exhibition which people make a point of visiting. The key is in paying attention to every aspect – including a professional level of presentation.
The society reserves the right to reject any work that does not follow the framing requirements.
This is your showcase – make it work for you.
- We encourage the use of neutral coloured frames.
- If you wish to use a ready-made frame to save cost, consider getting a slightly bigger frame and having a wider mount cut professionally to enhance your work.
- Maximum artwork size, including frame is 80 x 80 cm.
- Metal frames or clip frames may NOT be used.
- All paintings must be property framed with good quality backing boards – no corrugated cardboard may be used.
- Frames must be sealed all the way round the back with proper framing tape, not masking tape or Sellotape.
- All frames must be secured with D-rings and hanging cord.
- Picture cord must be tightly stretched 1/3 from the top between the D-rings with no slack.
- No coloured mounts, only cream, off-white or white allowed although a 5mm coloured edge to separate painting from mount will be acceptable. Float mounting on cream, off-white or white mounts is also acceptable.
- Although not obligatory, it is advisable to give your paintings a wide enough mount to allow them to ‘breathe’ in the frame. Ready-made frames may be good enough quality for exhibitions, but they often come with very narrow mounts.
- Glass must be used. No frames with Perspex in place of glass will be accepted.
- For safety reasons, glazed works with unprotected glass edges are not permitted.
- Ensure your frames and glass are both clean and dust free.
- All submitted works must bear a securely attached adhesive label on the reverse side of the work stating name of artist, title, medium and price.
- In addition, each framed painting must have a luggage tag attached to one of the D-rings on a piece of cord. The cord should be long enough so that the label can be hung over the top of the painting. The tag should bear the name of artist, title, medium and price.
Unframed paintings form an important part of our exhibition, in return producing more income and maintaining the high standard of both you the artist and the society.
The committee reserves the right to refuse poorly mounted, wrapped or badly labelled unframed pictures and to reject any works considered to be of unsuitable content.
- Unframed work should be of the same standard that would otherwise be framed.
- No coloured mounts, only cream, off-white or white allowed.
- Acid free mountboard must be used for both the mount and the backing. Paintings will eventually show damage at a later point if acid free board is not used. Under no circumstances is cardboard or similar to be used as a backing. Paintings without a backing will also be rejected.
- Paintings must be fully enclosed within a transparent wrapping (Do not use cling film or masking tape) Ideally Cellophane sleeves should be used to cover your work. Both Jacksons Art and Cotswold Mounts sell these in larger sizes if needed. If your painting is too large for a sleeve, use florist-weight cellophane, securely fastened – this can be bought in rolls from Amazon. The wrapping should be replaced once they become scratched or dull due to handling.
- An adhesive label stating the name of the artist, title, medium and price should be securely attached to the top, front, right-hand corner of the transparent cover. This should be typed or written in neat handwriting.
Wrapping and transportation
- Each artist is responsible for the safe transport of artwork to and from each exhibition.
- If a transportation arrangement is made with another member, then the artwork must be in a padded bag (clearly marked with the artist's name) which is easy to open.
- Works that are delivered wrapped up in bubble wrap and tape must be unwrapped on site by the artist or they might be rejected.
- Bags may not be stored at the exhibition, but must be taken away and returned on the take down day, if the artwork as not been sold.